Monday, 9 March 2015

Road Racing

Road Racing


When most people think of motor racing they imagine the modern world of Formula One, with the races held on purpose built circuits designed with safety, spectator comfort, and other 'corporate' functions in mind. The modern day racing circuit is built to an interchangeable template that is duplicated around the world, available to whomever provides the money, with precious little in the way of local colour or flavours, with the exception of the weather. The drivers and the cars have become the stars, with the tracks seemingly relegated to being mere backdrops for the latest twist in the relentless soap opera of the championship battle. The official line on the new world of international expansion to pristine new race circuits will be overwhelmingly positive. In press releases drivers will talk of the 'challenge' of the tracks; teams will talk of the impressive facilities, and those in charge will say how pleased they are with the organisation. But everyone involved knows that in the modern world of wall-to-wall television coverage and the overwhelming need for safety that nothing else is feasible or possible. But in their more candid moments the drivers will, to a man, admit that the most exciting and challenging circuits are the older ones - the ones that have survived from the old days and somehow made it into the modern world without too much change. They will name the Suzuka track in Japan, built in the 1960s as a test track; the fast sweeps of Silverstone, on what was once an airfield; the close confines of Montreal's Ille Notre Dame, with the walls always menacing; the bumps of Interlagos in the heart of Sao Paulo; flat out blasts of historic Monza; and the old road racing track of Spa Francorchamps in the Belgian Ardennes.

When it comes to the fans too, Spa is usually named as the best circuit that features on the Formula one, and other racing calendars. The appeal of the place lies not just in it's layout but in it's heritage; it is one of the last remaining relics of the old way of doing things, when races were held on closed public roads, and when now the now-revered jewels of the motor racing world like Silverstone and Monza were considered the dull and sterile poor relations to 'real' challenges of the year's calendar. The tracks that were created from a few road blocks, straw bales, and temporary grandstands, and wound through towns, forests, and fields. Road racing was part of the fabric of top level motorsport from the earliest days in a way that is hard to fathom these days. The appeal is understandable, races could be organised without too much difficulty as the public roads were already there, and spectators were easy to attract when the racing came to them. Road racing also improved the breed when it came to the engineering of the cars. Car manufacturers and racing teams desired the challenge of racing on the highway to properly put their designs through their paces. And also understandable is why road racing gradually faded away, only remaining in spirit at the highest levels. As cars became faster and faster not only was it much more dangerous than racing on a purpose built track - for drivers and spectators both - but it was harder to marshal, to charge admission, and to cover on television. Then there was the outside pressure of urbanisation and development encroaching on once quiet country roads, and the higher levels of traffic that meant closing the roads would be more disruptive.

Beginnings

Grand Prix racing began on the public roads. The first ever 'Grand Prix' race was held on a circuit of roads to the south east of the French city of Le Mans in 1906. Translated into English the name means 'Grand Prize' and that was what was on offer from the Automobile Club d'France - a winner's prize of 45,000 francs, roughly the equivalent of half a million pounds in today's money. The race superceded the Gordon Bennett races, a series of races funded by the eponymous American millionaire newspaper owner (the same "Gordon Bennett!" whose name is still invoked as an expression of exasperation in the UK). The races ran from 1900 to 1905, the first three events being races between Paris and Lyon, Paris and Bordeaux, Paris and Innsbruck, then the event was held in Ireland, the UK mainland being off limits, road racing being outlawed by the British government. In 1904 the race moved to the mountains north of Frankfurt in Germany, and then back to France and the city of Clermont Ferrand (a name that will recurr much later in the story). The Bennett races put limits on the number of cars each nation could enter, much like the then-recently revived Olympic games. For 1906 the French, frustrated by this rule, that artificially stifled the French dominance of the nascent automobile industry, decided to hold their own race, open to all comers. They laid out a sixty-four mile long course, a course that the fastest drivers and cars of the day could circle in just under an hour, partly because the organiser built special wooden plank road bypasses around the villages on the course to minimize disruption to the residents.

The Grand Prix at Le Mans set the pattern to follow. A large closed off course, instead of city-to-city races, roughly triangular in shape, with specially built grandstands, pit garages, bridges, and advertising hoardings and spectator fences lining the track. The entire length of the course was sealed with a tar surface to minimise flying stones and clouds of lingering dust that came with the standard unsurfaced roads. The race was split into two six lap parts over two days, with the finishing time of the first day determining the starting time on the second. The event was won by a Hungarian called Ferenc Szisz - curiously the only Hungarian to ever win a Grand Prix race to date - driving a Renault. The event had been a success, but without any entrants from British or American cars - the two nations being suspicious of the French motives for creating a race that well suited their own car industry so well. Thus began a detachment between the three groups - mainland Europe, the UK, and America, and their ways of going racing that would persist throughout the century and into the present day

In America, the Vanderbilt family, eager to help the American car industry catch up with Europe, created the Vanderbilt Cup races on Long Island in 1904, with a similar open policy for entrants as the Grand Prix would have. The races were a success, but unfortunately for the USA would be won by French cars for the first three years. In 1908 William Vanderbilt, the main enthusiast for racing in the family, completed work on a paved highway; the Long Island Motor Parkway, a nearly fifty mile toll road, a precursor to the modern motorway, and also a convenient place to host a race. The 1908 Vanderbilt cup was won, much to the joy of the crowds, by a American called George Robertson, driving an American car, the Locomobile. In 1911, the Cup moved to the Southern city of Savannah in Georgia to join together with another race, the Automobile Club of America's "Grand Prize", a race run to the same rules as the Grands Prix that had been held on the same Savannah course in 1908 but then suspended for two years. The two events became a double-header and moved on in the next years to Milwaukee, Santa Monica in Los Angeles, and San Francisco too, before both being abruptly halted by America's joining the Great War in 1917. By then the Vanderbilt Cup and the Grand Prize had already begun to be outshined by an upstart event; the Indianapolis 500 mile race, held on a giant 2.5 mile long rectangular race and test track built in 1909 - the Indianapolis Motor Speedway.

The Vanderbilt Cup would be briefly revived in the late 1930s, but it only lasted two years. This was the time of German and Italian domination of racing, and their was little local interest to draw in the spectators. The main focus of American racers had been drawn away from the European and international scene and become firmly fixed around the Indianapolis 500 and high speed oval track racing. Indianapolis had been inspired the by the Brooklands track, built south of London. The world's first ever purpose built racetrack, Brooklands came about because of the banning of racing on the public road. Alarmed by the British establishment's heavy handed approach and the potential setbacks it could cause to Britain's ambitions in the automotive industry, Brookland's builder, Hugh Locke-King, had spared no expense and built a huge egg-shaped high speed track, with giant bankings at each end to ensure that the track would be able to accommodate very high speeds. Brooklands would become the home of Britain's racers, and the British would only be bit-part players in the emerging Grand Prix scene. Their major successes would come in overcoming the French dominance in both speed records and endurance races. The high speed Brooklands track would become and ideal base for intrepid speed record breakers like Malcolm Campbell, and for manufacturers like Bentley to test their cars on long-distance runs. In the late 1920s Bentley would come to dominate a different kind of race to the Grands Prix. After the 1906 French Grand Prix, that race returned to the Le Mans area again in 1921, on a different circuit to the immediate south of the city, although a separate race, confusingly called the "Grand Prix de France" had been run in 1911 and 1913. The 1921 race inspired the local automobile club, the Automobile Club de L'ouest, to create their own annual race, based around endurance rather than speed, the Twenty Four Hour race.

Grand Prix

In 1907 another "Grand Prix" was held, but as noted above, it wasn't in Le Mans this time, but further north at Dieppe. The course was shorter, only 48 miles rather than 64, and without any of the wooden bypasses that had been built for the Le Mans race. The same course would be used again in 1908, and again in 1912, after the race was put on hold for two years. In 1913 the race shifted again, fifty miles east to Amiens. The Amiens course was very exciting for it's time; the usual triangle of fairly straight, flat roads, livened up by a narrow and twisty downhill run to a crossroads in a small country town, before a high speed run back up a river valley through challenging high speed bends. This would be the future of the Grand Prix, less a test of pure engine power and bravery, than of the complete package of chassis, engine and driver, and already rules were clamping down on the allowable size of cars and engines. In 1913, though, the Amiens course was clearly almost too much for the times as four drivers and an unlucky bystander had been killed in crashes while testing on the course before the race.

The Grand Prix never returned to the roads south of Amiens, although ironically their exciting twists and turns would soon become the norm. In 1914 France's second city, Lyon, took up the honour of holding the race, and pulled out all the stops, creating a very grand course of twenty miles, first snaking up parallel to a river north of the city, before climbing up into the hills, and then dropping back down through a photogenic double hairpin bend, where many spectators crowded onto the banks to watch, and giving the drivers a panoramic view of the the finish line far below by the river. Before reaching the grandstands the drivers slid through a tight hairpin bend around a restaurant - both still there and little changed in a century. In 1914 the stands and the hillsides were packed in with hundreds of thousands of eager spectators. The race was to be a match between the French Peugeots and German Mercedes, between the hero of France George Boillot, winner of the 1912 and 1913 races, and the lead Mercedes driver Christian Lautenschlager. The French were expectant of victory; Peugeot and Boillot had won the last two Grands Prix, and Peugeot had also successfully raided the big new American race, the Indianapolis 500 in the last two years. Perhaps too they were aware of a much bigger contest brewing as the race was held only a week after the Archduke Franz Ferninand was assassinated in Sarajevo. In the event, they went away disappointed, after seven hours of racing, Lautenschlager had won, and Boillot's Peugeot had dropped back with tyre trouble, before it's engine ignominiously gave up on the final lap.

In the 1920s and 1930s the European continental racing scene flourished and many other Grand Prix races were created, some named for the nation, some for the local area, but nearly all taking the evocative French name that had become synonymous with top level motor racing. The original race continued to flit around France, visiting Strasbourg in 1922, in an area that would one day be directly adjacent to the city's airport, although the final turn of the course in a suburban town seems to have barely changed in the course of a century. The next year it was held near Tours, on yet another high speed triangular course. This race would be historic for the British as for the first time a British car and driver won a Grand Prix race, perhaps the long straights of the tree-lined boulevards near Tours suiting the Brooklands-honed Sunbeam car of the great record breaker Henry Segrave more than some of the more sinuous routes used in earlier races. This was the tail end of the great heroic pioneering era that had begun at the turn of the century. A year later, a mysterious English mechanic and driver called Ernest Eldridge would power down a two lane road south of Paris near the small town of Arpajon in a giant aeroplane-engined FIAT to set a new world speed record - the last time the fastest speed for a car would be recorded on the public road.

In the 1930s the French would be unseated from their position at the head of the motor racing table, first by the Italian Alfa Romeos and Maserati's, and then by the German teams, the state funded Mercedes and Auto Unions who would take motor racing to a whole new level of professionalism, dominance, and most of all, speed. Both the German and Italian Grands Prix would be held not on the public road, but on purpose built circuits. The Italian race was held at Monza, a super fast autodrome, with two interlinked tracks, a simple five turn road course and banked speedway that could be combined to create a daunting high speed race course. By contrast the Germans built a 14 mile long course with over one hundred corners - an approximation of a 'real' road, but totally artificial; the Nurburgring. The 'Ring was the perfect place for the upcoming 'Silver Arrows' to begin their dominance of the European scene. It was fast, but also supremely challenging to the car's handling, and could also be used for testing all of the time, unlike a public road. The German Mercedes and Auto Union cars became unstoppable - with the engine putting out huge power, and the chassis that could (just) about handle it. Even the French got in on the act of creating closed race courses that mimicked public roads, the Monthlery track in the south of Paris like Monza combining a speed bowl with a parkland road course. Meanwhile the automotive backwater of Spain built an astonishing creation near Barcelona. Autódromo de Sitges-Terramar was an oval speed bowl just over a mile long, but with banking angles up to sixty degrees. The track held but one Spanish Grand Prix in 1923 before going bust when the track's builders seized all the entrance takings to recoup payments they had not received from the organisors. Racing never returned but remarkably the track survives to this very day. Without the white-elephant of Sitges the Spanish instead turned to the Grand Prix of San Sebastian in the Basque country in the North. The San Sebastian GP around the Lasarte road course became the de-facto, and then the official Spanish Grand Prix.

Post War

If the 1920s and 30s had seen private race courses increasingly taking the share of racing away from the public roads, then the immediate post war years would bring back the road and city street race with a vengeance. With Germany in ruins, Britain's Brooklands turned into an wartime airfield, and America now occupying a parallel but very separate world based around Indianapolis, the French again came to the fore. The first major international motor race after the end of the Second World War was held on the seafront at Nice. It was a tiny course taking in a run up and down the promenade, and around a small garden, and it was never repeated, but it set the motor racing ball rolling again.

There would be a Grand Prix in around a park in Perpignan, on the shores of Lake Geneva, in the town of St Cloud - using a section of newly built motorway - St Gaudens, Sempione Park in Milan, and the first race to be called a 'Formula One' race in Valentino Park, Turin. These races would form the foundations for the first ever World Driver's Championship in 1950, they would provide the place where Alfa Romeo, Maserati, Talbot, Delage, and the new name of Ferrari, could hone their cars. They would also restart the war-interrupted careers of drivers like Farina, Wimille, Sommer, Villoresi, and Chiron, as well as providing a place where an Argentine champion called Juan-Manuel Fangio could arrive and begin to beat the Europeans on home soil. The races themselves would mostlyfade away after a few more years, the early carefree nature of post-war racing in the streets and parks of small provincial towns overtaken by the much grander events of the World Championship, and by a terrible catastrophe that would happen a few years later.

Le Mans

Though the racing may have mostly been consigned to history, that does not mean the roads that the greats of history once drove and battled on have disappeared too. All throughout the world, and in Europe especially, are public roads that once held races, driven on by people who, to a vast extent are probably unaware that their Toyotas and Hyundais are following in the wheel tracks of legends. That they are driving where Fangio, or Ascari, or Moss once drove, or riding where Agostini or Surtees once rode. There are some survivors of the great road races, the most obvious being the Le Mans circuit de la Sarthe. The famous twenty four hour race, held since 1923 outside the city of Le Mans in north western France, is still run on mostly public stretches of highway south of the city. Le Mans shows both the challenge and excitement created by racing on 'real' roads, and also the extent to which the roads have to be conditioned to be considered suitable in the modern world. At Le Mans drivers of the latest sports racing cars still have to cope with tramlines, a crown in the road, slippery painted lines and a rougher surface than is found on the racetrack. They also have the ominous sight of trees at the side of the road, trees that help contain the spray when it rains and create hanging clouds of mist - another hazard rarely found on open racetracks. But the drivers are now shielded from the trees by tiers of crash barriers, and race secure that should something fail on their car, or should they make a mistake, they will not end up among them.

Le Mans also shows the importance of location when it comes to the continued survival of the racetrack. Like many other road race circuits around Europe the Le Mans circuit is on the outskirts of a city - close enough to attract a ready made audience, and attract the support of a city and it's council, but just far enough away to have survived the onset of urban sprawl. When it first began in the 1920s, the Le Mans race ran right into a hairpin turn near the city centre, but quite early in it's life the hairpin turn was abandoned and the race held outside what was then the city limits. Those who made that decision were prescient; now the original course is in quiet suburbs, bisected in two by a tramway, and cut off completely from the current location by an autoroute. Some places in similar locations have not survived; Brooklands, the world's first ever purpose built racetrack, built south of London, was mostly swallowed up by housing estates, supermarkets and industrial estates in the decades after it was mothballed after the second world war. Had it not been for the fortunate intervention of a local businessman the great Indianapolis Speedway in the US would probably have suffered the same fate - swallowed up by the nearby city in the 1950s and 60s.

Ghosts

It isn't only private race circuits that can be obliterated by the passing of time. Even the very roads that once held races in some places have been demolished, re-routed, or altered beyond all recognition. Just like at Le Mans, the French cities of Reims, Rouen, and the town of Albi all had large race circuits, all entirely consisting of public roads, and all hosted F1-level racing (though only non-championship in Albi's case). In Rouen the track buildings were torn up in the 1990s, years after the last race and the back stretch became an autoroute. At Reims the buildings have been partly preserved - sitting like the ruins of Roman arena quietly at the side of the road, but, again a whole section is now a dual carriageway, and another section simply ends in the middle of a field - the former race track road plowed up when deemed an unnecessary piece of the local infrastructure. At Albi the once-rural circuit is still there in shape, but not in spirit; countless roundabouts, and new junctions reflect a huge boom in suburban housing that filled in the fields in the decades since the races of the 1950s. The only relics of the races; a small derelict race control tower and a small memorial stone to an Italian motorcycle champion who perished on the circuit in the early 1950s.

As well as being in a good location to ensure it's survival, the circuit of Le Mans had the great advantage of hosting a great marquee event. Reims and Rouen hosted the French Grand Prix - a premier event to be sure, but also an event that could be moved to another location on a whim, usually due to financial or political pressures. And that is just what happened to both venues in the 1960s. Reims last hosted the GP in 1966, Rouen in 1968, and while both tracks soldiered on (for many years in Rouen's case) without the lure of the Grand Prix they both faded away. In the 1950s and 1960s Grands Prix weren't always part of the Formula One championship; in the days before television contracts demanded all the teams, cars and drivers showed up to all 'official' races, there were many non-championship races, where organisers would put up prize and starting money and invite anyone who cared to show up. And the top drivers weren't contractually stuck with driving only for F1 teams. Many drove in Formula One, Formula Two, endurance sports car races, and even national touring car events. Some great road races were held on tracks that, because they never held full ''championship'' status, have faded into near-obscurity, despite playing host to some world-famous names. The aforementioned Albi circuit being an example of such; who, driving past some ordinary looking sports fields at the side of the road would guess that  there was once a startline where the fields are now where, on one occasion in 1953, Fangio and Ascari, two world champions, both blasted away side by side to race in a non-championship Formula One race?

Some road races were simply overshadowed by a close competitor and faded away in the shadow of the more famous event. The Italian Mediterranean beach resort of San Remo held races in the 1950s, only short distance along the coast from the far more famous territory of Monte Carlo. Unquestionably the San Remo track was far larger, and just as challenging, as the very short confines of the Monaco Grand Prix, but it never came close to outshining it's neighbour and held it's last race in the 1960s. Monaco is the quintessential road road, a race that has been held on a circuit that has been little changed since it began in 1929. Clearly the Monaco Grand Prix owes it's survival almost entirely to it's extraordinarily privileged location, the playground of the rich with vast cachet for sponsors, but it's relatively compact location has also helped, and has inspired imitators around the world. The southern Los Angeles county city of Long Beach, California, began a street race in 1975, clearly modelled on Monaco, and almost the same size. The tiny south Asian country of Macau, like Monaco, has a track that runs from one end of the country to the other, down a seafront and back around the hill above the seafront. Macau is much larger than Monaco, several miles further round, and would probably be as well known if it hosted Formula One rather than Formula Three and touring cars.

The most extraordinary example of a self-contained race that fills and entire state is the Mountain Course on the Isle of Man. The thirty-odd miles of public roads hosts the 'TT' motorcycle races every year and constitute both an incredible challenge, and an incredible act of survival from it's founding in 1907 - when road races were the only form of race - to the modern world. The fact that the Isle of Man is self contained location, without any passing road traffic to any other places, without large cities or motorways, undoubtedly helps the continued survival of the TT races. The island also, by a quirk of history, has it's own parliament, independent of the mainland parliament, and can set many of it's own laws. Unlike England, Wales and Scotland, the Isle of Man and Northern Ireland allowed racing on public roads. As a consequence the TT races became the only place for British motorbike companies - Triumph, Norton, Royal Enfield et al - to race on public roads and also boosted the reputation of the races. Like at Le Mans, the TT races became far more famous than the championship they were part of, although unlike Le Mans the championship eventually left them entirely. Another quirk of fate that perhaps kept the races going into the modern world; had the TT races continued as top level motorbike races they would have surely been killed off by increasing safety concerns, or adapted into a much smaller and compact form, possibly on a purpose built circuit. Now the races are mostly contested by semi-professional specialist road racers - bike racers who race at weekends but often still hold down regular jobs and rarely, if ever, venture into the top level of Moto GP.

Danger

Clearly safety concerns have had a huge effect on the gradual decline of road racing circuits and their replacement by closed race tracks. Road racing is very dangerous. At the Isle of Man TT countless riders have been killed over the decades crashing into stone walls, lamp posts, buildings and trees. These hazards are largely absent from the wide open spaces of race tracks. Naturally it is hard for roads to be cleared of such hazards, and the only practical safety measure is expensive layers of metal guard rails or temporary concrete walls. It's not just the safety of competitors - open roads encourage spectators and it is hard to keep spectators in safe locations around large circuits. This is less of a problem for motorcycle racing, but has practically eliminated any form of car racing on open roads. Out of control cars are far more lethal than out-of control motorbikes. And motorcycle racers are far less likely to come into contact with each other than car racers. Races like the TT races are also held as time trials rather than wheel to wheel duels - racers start at staggered intervals and the winner is the rider who completes the course the quickest, not who get's there first, further reducing the risk of any dangerous pile ups

Some former road race tracks have adapted to the modern world by becoming closed circuit tracks. Spa is probably the most prominent example of this happening. Originally an eight mile high speed blast through the Belgian countryside, Spa had become a dinosaur by the late 1970s, with Formula One leaving after 1970, and considered far too dangerous for everything except touring cars by the end of the decade. In the early 1980s a new circuit was built by cutting the layout in half with a new piece of racetrack, and the Belgian GP successfully returned on the safer layout. Until well into the 1990s some parts of the track were still public roads, but by the 21st century the old roads had been completely incorporated into the racetrack and a new piece of the public highway built to bypass the track. In the 1970s a similar plan was concieved for Le Mans but never completed, still a few sections of new racetrack were built in the final section of the Le Mans circuit. The 'Porsche Curves' as they were called when they were built in 1972, bypassed a section of the original public road track called 'Maison Blanche' (White House), a very fast and narrow crest over a hill, followed by a quick right-left swerve round the 'White House' cottage.

After the cottage the road ran straight to the start and finish and pits area, and it was here that the terrible disaster at the 1955 race happened. The leading Jaguar of Mike Hawthorn slowed to pull into the pit area - in the 1950s just a layby at the road's edge, and caused the following, much slower, Healey driven by Lance Macklin to swerve left to avoid rear-ending the leading car. Macklin swerved right into the path of one of the Mercedes-Benz cars driven by French veteran Pierre Levegh. Levegh was launched off the sloping back of the Healey - these days such a multi car tangle would probably be relatively harmless, possibly leading to an heated argument among the teams after the race. But in 1955 the Mercedes flew towards a spectator enclosure, over a five foot high earth mound, and smashed at full speed into the crowd. There was no catch fencing to protect the spectators and scores were killed by the flying debris scything through them. For a time motor racing as a whole was placed in serious jeopardy; Grands Prix's were cancelled for the rest of 1955 in the race of the political outcry. Unsurprisingly the crash had the most dramatic effect on road racing circuits. Before 1955 the motor racing calendar was packed full of road races; after 1955 they began to become and endangered breed.

Decline

The most immediate casualties were the German, French and Swiss Grands Prix, which were cancelled. The French and German races would be returned in 1956, but the Swiss race never came back. Today the location of the Swiss Grand Prix, at Bremgarten in Berne, sits quietly, and un-commemorated on ordinary looking suburban streets. Much of it is now cycle tracks through a forest. Other races that faded away after the mid-fifties include the championship Spanish grand prix through the streets of Barcelona at Pedralbes. In the early 50s the area was at the very edge of Barcelona, with only a few villas and churches at the road side, by modern times the roads were packed with houses and apartments. Like in Switzerland it would be very hard to tell that there was once a grand prix race through the urban boulevards. Many of the roads have been completely rebuilt, with tramlines, underpasses and flyovers.

The non-championship races in the streets of Bordeaux, Bari, Rome, Angeouleme, Marseilles,Valentino Park in Turin, and on the quiet rural roads of Cadours, all faded away to become only a memory. Posilipo Park in Naples, and Chimay in Belgium downgraded to lesser formulae. Still others faded away for car racing but retained motorbike races that were easier to marshal and relatively more safe for spectators than cars. Such happened at Dundrod in Northern Ireland, where the top sports cars and drivers all turned out for a race in 1955, only for three drivers to be killed in crashes during the race. Cars never came back, but motorbikes still race around the exact same course even today. 1955 also saw a nascent Swedish Grand Prix on roads just outside the small town of Kristianstad. The dominant Mercedes combination of Fangio and Moss showed up and won in a formation demonstration but the event never grew and had a brief continued life for motorbikes, with an odd footnote - in 1961 an East German MZ rider defected during the race, riding his bike into the interested hands of Japanese mechanics curious to learn the secrets of the East German bike industry.

There were other terrible crashes too. In 1952, three years prior to the Le Mans disaster a little remembered incident at the strange German Grenzlandring circuit - a race around an oval shaped ring-road constructed just prior to WW2 for military usage - claimed fourteen spectators lives. In 1958 at the Cuban Grand Prix in pre-Fidel Castro Havana seven spectators died in a crash. This came hours after the sensational kidnapping of Juan Manuel Fangio by pro-Castro rebels; Fangio was approached by a pistol-wielding man in the lobby of his hotel and asked to come with him to a local house. Fangio was released without harm, in fact the rebels had served him steak dinner, after the race, but both the incidents led to the end of the Cuban Grand Prix. A year later the socialist revolution swept Fidel Castro to power and the capitalist resort packed with the rich of Europe and America that was so amenable to motor racing was replaced with a very different place, with racing and casinos replaced with embargoes and poverty.

Changing political situations naturally have had an effect on racing venues over the years. The Spanish Grand Prix of the 1930s, held on a very exciting 11 mile road course near the town of Lasarte-Oria, came to a sudden end with the outbreak of the Spanish Civil War in 1936. The great circuit never held races again. In the 1930s North Africa was a popular area for hosting races, as the countries there were still European colonies and imported European racing. In Morocco and Algeria the effect of French influence was felt with Grands Prix in Casablanca and an Algerian Grand Prix that moved between several street layouts. In Italian-run Libya the Tripoli Grand Prix became a blue riband event with a large prize fund and very expensive facilities - a forerunner of today's purpose built circuits. But the Second World War brought the race to a sudden end, and when the conflict was finished a large US Air Force base was built over most of the area where the race track had once been. When Colonel Gaddafi came to power in 1969 the base became an international airport. Today the route of the race circuit is still visible on satellite pictures, but no tourists would dare to venture into the stricken country of Libya to visit the area, and the days when international racing was once hosted there seem almost impossible to believe.

The Moroccan Grand Prix had a brief resurrection in 1957 and 1958, the latter year becoming famous as the race where the title was decided between the duelling Englishmen Mike Hawthorn and Stirling Moss. Moss won the race, on the purpose built Ain-Diab course, but Hawthorn followed him home in second to win the championship. Moss, who had won four races in the year to Hawthorn's one, never would win the title, and Hawthorn would be killed in a crash a few months later on a bypass in England. The Moroccan Grand Prix disappeared without much notice after that year and the rectangular Ain-Diab course became part of suburban roads, with no remnants of the old race track remaining. Racing in Africa would thereafter be confined mostly to South Africa, and even there the sanctions on the Apartheid government would lead to few international events. Even the great Paris-Dakar Rally across Saharan-Africa would be driven to move to South America by political problems and security threats in the countries it crossed.

Italy

Italy would become the last great bastion of road-racing in the 1960s and 70s, but even in country so associated with performance cars road racing became rarer and rarer during this time. The greatest of all Italian road races was the Mille-Miglia (Thousand Miles) race. The race ran from Brescia in Northern Italy, down the Adriatic coast, across the central hills of the country to Rome, and back north to Brescia. Like the Isle of Man TT the race was against the clock, with hundreds of starters leaving the start ramp throughout the day of the race. The race was held on closed roads but all around the course spectators would crowd around to watch, and it was these spectators who led to the end of the race after the 1957 running when a Ferrari driven by Spanish aristocrat Alfonso de Portago spun into a crowd in a small village near the finish in Brescia and killed nine people at the roadside. The event was revived in the 1970s but as non-competitive historic car rally rather than a race. The record time for the original Mille Miglia, set by Stirling Moss in a Mercedes in 1955, a few weeks before the fateful Le Mans race, will stand forever at twn hours and seven minutes, averaging 99 mph for the trip around Italy.

After the end of the Mille Miglia the mantle of great Italian Road Race passed to the Targa Florio in Sicily. The Targa was a tiddler compared to the Mille Miglia, but it was still a substantial challenge. Where the Le Mans twenty four hours raced around an eight mile long course, and the Nurburgring Six Hours around a twelve mile course, the Targa Florio ran around forty five miles of country roads for eleven laps. The race was part of the World Sports Car championship until 1973 when the concerns about marshalling and protecting spectators over such a long course finally killed off the event. A few years afterwards the event was revived as a rally - a change reflecting the increased prominence of rallying and the blurring of the lines between road racing and stage rallying. In the 1950s and 60s rallying was a test of machinery and navigation, and was done in modified road cars. By the 1970s rallying was increasing in performance, with more purposeful machines like the Ferrari-engined Lancia Stratos being introduced to the forests and roads. Road racing was giving way to rallying as the place where manufacturers were placing their focus. Even by the mid 1960s many sports car world championship entrants were finding the very twisty roads of the Targa Florio to be unsuitable for their ever-faster circuit racing cars and were creating lightweight specials to race purely in the Targa.

The third great Italian road race was the races held in the Adriatic coast town of Pescara. The races ran around a fifteen mile course from the town, up into the hills overlooking the sea, and back to the town by way of two four mile straights. In 1957, still in a climate of uncertainty about which Grand Prix's would be viable after the Le Mans disaster the Pescara race became a World Championship round for one unique occasion. The race was won, almost inevitably, by the great road racing expert Stirling Moss, who dominated throughout. It would not be repeated as a full-blown Formula One race though, despite the huge crowd that turned up to watch. The fall out from the Mille Miglia crash was being felt throughout Italy. Even the Vatican added it's voice to the mix, condemning the deaths of spectators at the expense of mere entertainment. True open road racing, on roads closed off on the day with a few road blocks, and spectators sitting having picnics at the side of the road was already on the wane, even in car-crazy, and politically laissez-faire Italy.  For the next few years the Portuguese Grand Prix at Porto would take Grand Prix cars across cobble stoned roads and tramway lines for the last ever time. The 1960 race would be the end of an era for Grand Prix racing, and the winner was Jack Brabham - who hated the road racing tracks ("bloody dangerous") in a small lightweight British-made Cooper car that was developed on the airfield racetracks of Britain's club scene.

Throughout it all the one race that carried on regardless was the Monaco Grand Prix. Ironically Monaco's anachronistic nature and the total unsuitability of the extremely slow and tight circuit for racing probably ensured it's survival because it was too slow to be particularly dangerous. Only two drivers have ever been killed at Monaco during it's years as a Formula One venue, and one of those was in a supporting sports car race. By contrast when the resort town of Deauville at the opposite end of France created a Grand Prix in 1936, the course, running along the seafront, was wide and fast - too fast perhaps, as the up and coming French driver Marcel Lehoux died after a collision with another youngster, future inaugural World Champion Giuseppe Farina. The sight of flaming wreckage and a broken driver's body lying in the neat gardens didn't provide the best advertisement for motor racing and Deauville went back to hosting horse races instead. The tight Monaco layout meant there were never many places for drivers and spectators to put themselves in harms way. Most of the spectators were watching from apartment balconies and rooftops. And it was easy to put barriers around the course and police it properly. Monaco may have been there because of money and snobbery, but the organisers always knew how to run their race properly. By contrast there were places that were less well organised. In the late 1960s the Spanish Grand Prix found an exciting new home around the streets of Montjuic Park in central Barcelona.  The circuit had held more minor races since the 1930s, and was extremely attractive, with all kinds of corners, elevation changes, trees, and striking buildings in the surroundings. Sadly after 1975, when the safety barriers were not installed correctly and drivers nearly boycotted the race, then a crash during the race that killed three spectators, the circuit was abandoned.

Relics 

Like many other road circuits Montjuic Park is still there in it's entirety, only a new roundabout interrupting the course of the original. All around Europe are other circuits sitting still, with almost no evidence of the races that once happened there. In Italy the fifteen miles the Pescara Grand Prix was run on - forever remembered as the longest ever World Championship circuit - are all still there, albeit with a few new overpasses to accommodate an autoroute, and a few newer business parks and residential developments at the roadside. Only a large sculpture of a pre-war racer half way around the course provides much evidence of the race. The main street through the town of Pescara appears to have changed little since 1957, when Moss streaked away to a lead he was never to lose over the next two hours of racing. Moss and the others would have seen a fairly similar view to today. The race would have taken them past the main railway station in Pescara, up a straight section of densely packed buildings, before taking a right turn at a junction and heading up a twisty and narrow road up a hillside, with views one side inland and on the other occasional glimpses of the sea. As with many of the longer circuits it must have been challenging to remember exactly where on the circuit the driver was, as the various bends and crests of the road seem to blend together into one.

Unlike modern drivers those who faced racing on such challenging, and complicated courses had to devote much of their concentration to simply driving the course, rather than racing their rivals. Cars were much less reliable and drivers far more exposed to danger. On a circuit like that at Pescara the driver had somehow to put out of their minds what would happen if they ran wide off the road into a ditch, or spun off into a tree, or their car failed and they hit a wall or building. Then there were the final eight miles consisting of two flat out blasts along four mile straights at speeds of up to 180 mph. Some road races were undoubtedly more dangerous than others. At the Targa Florio, for example, the extremely twisty and narrow roads kept the average speeds relatively low, and the event had surprisingly few fatalities. By contrast at Spa-Francorchamps the roads were wide, and fast. By the time of the last Formula One and sports car races the average lap speed  was nudging 150 mph - between houses and trees.

The current Spa circuit is much beloved by the current generation of drivers but is half the length of the 'old' Spa, and far less daunting. The original layout of Spa is still there, looming like a sinister shadow over the current racetrack. Where the current track turns sharp right at the end of the main straight and runs down into a valley, the original course instead took a long left turn over the brow of a hill in the opposite direction. It then ran down a hill along a slightly curving straight, where racers would fly past farmhouses at very high speed, into a very fast right hand corner, that could have been designed with high speed racing in mind. Now there are more houses and junctions, but the famous farmhouse where several famous names - including Jackie Stewart and Graham Hill - crashed out in a cloudburst in the 1966 Belgian Grand Prix is still there, mostly unchanged. The Belgian weather also added to the dangers of Spa, where the sunnier Mediterranean climbs could hold road races in almost guaranteed warmth and sunshine the Belgian Grand Prix was often held in the rain. The rain would often lash the drivers as they headed along the back straight - now interrupted at the beginning by a new roundabout - past open fields towards a quick left-right flick between houses at the hamlet of Masta. Through the kink at speeds of over 150 mph they would head down towards a road junction at the village of Stavelot, but then ease themselves into a fast rising right turn, built to bypass the village itself. The turn is also still there, overgrown and cracked. The mist would hang in the trees on the return leg, through a gloomy looking forest to rejoin the current track again.

Spa was undoubtedly the fastest ever road racing circuit used in motor sport, but it was hated by many great drivers for being too risky and too reliant on their cars holding together on the long straights. For the same reason some drivers also disliked having to drive at Le Mans too, in the days when the trees were not hidden behind barriers. Nostalgia tends to create a great respect for the old Spa, and Le Mans but there were many other road circuits that were just as daunting as those tracks, but somewhat more challenging for the drivers too. However these tracks never attained the same status as their more illustrious counterparts. Some still survive, as Spa has, as permanent circuits incorporating parts of the original roads. In the far south of Sicily, not too far from the roads of the Targa Florio, is the obscure Autodromo Siracusa (Syracuse). Little in the area would lead anybody to suspect that the circuit was once a much larger road circuit that hosted non-championship Formula One races. The modern track, like Spa, uses some of the old roads, but for the most part is an anonymous modern racetrack, and the surrounding roads have been gradually built-up with houses, warehouses, and business parks. Here and there are small remnants of the former circuit - the most distinctive feature of the old circuit was the low brick walls that the road, The walls are still there where the road leaves the highway headed to dusty dead-ends where the modern track sits, looking like alien relics from a different era, an era where it wasn't unusual for stout brick walls to line the very edge of a road. And an era when spectators and photographers would sit on the walls to watch. In the eventful year of 1955 the English driver Tony Brooks won what was probably the venue's most notable victory. Driving a British built Connaught (an obscure make that would never win a championship race) Brooks took the first Grand Prix win by a British driver in a British car since 1923. Ironically Brooks was a great enthusiast of road racing, and admired the Syracuse circuit's challenging walls as they encouraged precision, but his win for Britain would be a precursor to the era of success for British makes, and their cars honed on airfield circuits, who would take over as the road race largely a thing of the past.

Road racing didn't die out overnight after the traumas of 1955. Even ten years after Tony Brooks won at Syracuse on dusty Sicilian roads, the great 'Flying Scotsman' Jimmy Clark would drive to victory in a non championship race on closed roads. This particular event was the 1964 'Solituderennen', the last hurrah of a the astonishing Solitudering - a seven mile open road track winding through trees on the outskirts of Stuttgart. Today Stuttgart is renowned as the home of both Mercedes-Benz and Porsche, and their museums attract many visitors, but for real tangible motoring history, the old Solituderennen sits almost unchanged, but for a few modern roundabouts, almost waiting for another race to be held there. The circuit gave away a good mile to Spa, and was not nearly as quick, but more than made up for it with it's sheer variety. From the start and finish area, the road ran sharply uphill through two hairpins, then flew through a forest taking drivers through the holy-grail of corners for the racer and spectator; the almost flat out, blind bend over a crest, requiring full commitment and skill to maximise the speed through the trees. After several miles of knuckle-whitening high speed, high precision corners, the track rolled down to a tight left hander into the base of a river valley. From this corner it then returned to the start area by way of a sinuous road hugging the edge of of a river, every corner leading directly to the next, meaning the driver never got a moment's rest. There is no clear reason precisely why the Solituderennen faded away from the racing scene in the mid-1960s, after forty-something years of motorcycle and car racing, plus the great international success of Stuttgart's car makers. Perhaps it could no longer survive in the shadow of the famous Nurburgring, and it maybe already the writing was on the wall for such a perilous circuit. Fortunately urban sprawl has never reached the forests where the Solitudering sits and the modern visitor can still drive the roads and marvel that Clark and company used to race their spindly little cars on such dramatic roads.

It is arguable that the Solitudering was the most dramatic road race course that Formula One cars have ever contested races on. Certainly the Pescara track was longer - although a great deal of the fifteen-mile track was eight miles of straightaways where the driver had to take a back seat to the engine and simply hang on. And the race was, when all is said and done, a one off, and, thanks to the genius of Stirling Moss, not much of a racing contest. Certainly if asked to nominate the most extraordinary road circuit a case could be made for the bizarre AVUS ring, used just once in 1959 for the German Grand Prix. AVUS was built before WW2 as one of the first sections of autobahn, and turned into a high speed race track by the addition of a giant 'Wall of Death' - a huge 180 degree brick banked turn at the top end of the circuit. The racers of the 1930s would blast up and down the motorway - exceeding 200 mph - and hang on round the banking. After the war the circuit
continued, with the one-off Grand Prix, and would survive well into the 1990s as a touring car venue, but the great brick banking was demolished and the motorway sections were continually cut back. Today some features of the track have been preserved; an old motel still displays the Mercedes Benz logo, and the footprint of the banking is still there as a lorry trailer park - it is a surprisingly tight radius, perhaps the legend makes the great banked corner seem larger.

Monjuic Park is often touted as the greatest Formula One street circuit, and certainly it was an exceptional layout considering it's short length. But it was still a city park circuit rather than a genuine open road race. At the same time in the early 1970s the French Grand Prix paid several visits to roads around the mid-size town of Clermont-Ferrand (home of Michelin tyres). The Clermont Ferrand track ran around hills west of the city, and was renowned for being a great 'rollercoaster' ride for the drivers, so much so that the winner in 1970, Jochen Rindt, was supposedly motion-sick in his car during the race. The circuit's time in the limelight was brief; from the mid-sixties to the 1972 French Grand Prix. Like at Solitude the roads are still there almost unchanged, decades after the last F1 races were run. What is striking about them is how dramatic and twisty they are; roads that the modern mind associates more with a rally stage than Formula One, and how totally unsuited to the modern requirements of television coverage and VIP wining-and-dining the location is. The road is lined with trees and flint riddled earth banks. There do not appear to be many places for spectators to watch; the circuit is all about the challenge for the driver. A smaller club race track incorporates parts of the old start finish line and track, but is much shorter than the Grand Prix circuit.

Far from the traditional European home of Formula One lies a dark horse contender for the title of Greatest Ever Formula One track. These days the 'off' season in racing consists of sponsor announcements and testing times. But in the 1960s many top F1 drivers would travel to the Antipodes and race in the Australasian 'Tasman' series; an unofficial 'winter' F1 tour taking in the race tracks of Australia and New Zealand. Many of these were fairly ordinary airfield or club race tracks but when the series visited it's namesake - Tasmania - the drivers headed around the road circuit called Longford. Longford was in the middle of nowhere-in-particular. The biggest evidence of civilisation was a corner in the small town of Launceston, where the cars would race past the front door of the local watering hole. In four miles of roads (about the same as modern Spa), the track ran across fields, took a sharp left turn under a railway viaduct, crossed an overgrown creek, passed farms and livestock, and over a long wooden road bridge. Contemporary pictures show what is perhaps the oddest juxtaposition in the history of Formula One; Jimmy Clark, Graham Hill, Jack Brabham, and the rest driving their single seaters over a rural Australian bridge, inches from a white painted wooden slatted fence. Alas, the Tasman series faded away in the late 1960s, as the European schedule would take priority for the increasing number of sponsors arriving in the sport keen to get their logos on the televised  races. It would be 1985 before the Australian Grand Prix would finally become a full fledged championship race, but not in the sheep and cattle farming backwaters of Longford, Tasmania but in the old Victorian colonial city of Adelaide, on a street circuit that would write some of it's own lore in racing history.

Amazingly for all it's unfettered challenges Longford was not the most challenging circuit to have hosted the Australain Grand Prix. The name stretches back to the 1920s and among the list of venues is the occasional mention of a place called Loebethal. Those in the know - the historians, the history enthusiasts, the locals - will mention the place with superlatives and words that seem more suited to a great mythical legend. The Loebathal track, the enthusiasts will say, was ''something else'', a real man's course. The races were held in the 1930s but survived briefly after the war. The course ran for eight miles around the small town of Lobethal in South Australia. It didn't start from the town, but from a junction several miles away. From there it ran along very fast roads to a 90 degree junction, where the drivers put their foot flat to the floor and climbed the hill up towards Loebethal town. There they held on tight around a left right sequence before dropping down in the centre of the town. In case they overcooked the braking for the junction in the town the run-off area was the entrance to a mill. Flying out of town they had to negotiate a tricky right hand bend before entering a breathtaking roller coaster section that could have been lifted from the Nurburgring itself. Here was where one driver of time remembered he would aim and commit for the corner over the blind crest because once the car got airborne there was no way to correct it's course. Even by the standards of the time the Loebathal course was thought dangerous, and only a few motorcycle and car grands prix were held before it faded away, and the housing developers gradually built up the farmland at the roadside. Loebethal is still there to be driven aroud, albeit surrounded by many more houses than when it was a race track. Longford is not so lucky. Astonishingly although the area is still mostly farmland much of the track is now abandoned and derelict - the local roads have been re-routed. The wooden viaduct is gone, now there is only a forlorn gap across the river.

Staying Relevant

The 1970s were a decade of decline for road race circuits, and by the 1980s motor racing was mostly held on either racetracks or city street tracks. But, like all rules, there were exceptions. Formula One and sports cars may have gradually left open road tracks but deep in the countryside of Czechoslovakia in the the European Touring Car championship found time to attack the Masarykring at Brno. In the 1930s, before the catastrophes of the War and afterwards, big time racing had many events in Eastern Europe. The Masarykring was just one relic of that time, a great road circuit that was graced by the greats; Caracciola, Nuvolari, Rosemeyer, etc. The Masaryk Grand Prix was held on an 18 mile long circuit from 1930 to 37. After the war the circuit was cut in half and reduced to a more manageable 11 miles, then down to eight, and then finally 6.79 miles, and enjoyed a curious time in the limelight in the mid-1980s, when the ETCC's profile was raised as the championship became a grudge match between the works teams from BMW and the one time Le Mans racers Jaguar. More barriers were placed on the circuit, trying to keep it in line with updated safety requirements. Motorcycle races lasted until 1982, and the last big touring car race was held in the 1986. In the same year the new Hungarian Grand Prix debuted at the purpose built Hungaroring near Budapest. Even though it would be three more years before the Iron Curtain began to crumble, the Czech authorities decided  to follow the Hungarian example and build a modern autodrome, appropriately in near the town of Brno, inside the footprint of the original pre-war road course.

Racing at the old circuit at Brno may now be only a fading memory, and the modern circuit may have little of the character of the old, but the circuit allows the area to retain it's motorsport tradition into the modern era. Some racing, at least, is better than no racing at all. Romance and nostalgia may be fine for history books, but practical realities mean that if racing is to take place in most places where people live, it is going to be on contained closed courses, not out on the streets that have filled with much more traffic and development even since the 1980s. The Masaryk circuit may still be there, but there are more houses around it now, and roundabouts, pedestrian crossing islands, bus stops and all the other street furniture. In this respect Brno is not alone; quite a few modern autodromes are built in places that once hosted races on much larger, more daunting circuits that would be totally impractical to today's world. The Mugello Circuit, a well liked high speed road course in the very centre of the spine of Italy sits in the shadow a 40 mile road circuit in the hills. The Mugello 'Stradale' circuit, as it is known, was a counterpart to the Targa Florio when it began in the 1920s, but it never gained nearly as much status, mostly because of it's on-off hosting; after the 1920s it was revived in the 1950s only to stop again until the mid-sixties, when it lasted until 1970 before even the car-crazy Italians decided there was no practical way to run a forty mile long race circuit in open countryside, even with a time-trial format. The modern facility was built not far from the old start line and pit lane (still visible as a extra-wide street) in a small town.

Mugello's main event these days is the Motorcycle Grand Prix, and the circuits that host motorcycling in particular have tended to follow the pattern of turning old road courses into closed race courses. The German Moto-GP for example, is held at the Sachsenring, a two mile circuit that shares a start line with the old Sachsenring, a six mile road circuit that ran into the nearby town, up through fields to the edge of the nearby autobahn, before flying back to the start line through very quick tree-lined turns, dips and crests. The Sachsenring was in the former East Germany, and through the 1960s and 1970s hosted the East German Grand Prix. When the Berlin Wall fell and Germany was reunited the track was given the honour of hosting the reunified German GP and redeveloped into the current course, with the intention of briging the international scene to the former eastern half of the country. Economics have often dictated that tracks that have previously focused on motorbikes must nowadays accommodate car races, plus track days, and other major events like music festivals, and as such have been redesigned to become more easily adapted for different uses. Such is the case at the Dutch 'Mecca of Motorbikes' at Assen - once there was a four mile course, with much of the mileage in a large rectangular route at the start of the lap. Nowadays the old first half of the lap forms the perimeter roads of car parks and an nearby amusement park, while the track twists back on itself in a tighter complex of corners. The old circuit may have been more open and scenic, but it was also more wasteful of space, with a large empty infield of little practical use. Sad perhaps, but also an unavoidable truth, as developers encroach on racetracks, the tracks often have to maximise the value of their land.

Heritage

In recent years the history of motor racing has begun to attract more interest from the outside world. There are a great many historic racing festivals around the world, some on modern race tracks, some along the roads of the original road races. Perhaps enough time has passed for it's relics to take on the mould of genuine historical artifacts rather than decaying ruins. Perhaps too, the passing of most of the great names from the heroic eras of decades past has raised them from mere sportsmen to legends, and suddenly the cars they drove and the places they raced are now the only tangible connection to a lost era, and consequently are attracting renewed interest. Then there is the information revolution - suddenly people can find out all about the history of their local area, and in moments find pictures, film and descriptions of races that once happened on their own doorsteps. Then too there is the matter of the sanitisation of modern racing, in terms of safety, variety of locations, and the characters on the track. While no fan wishes to return to the days when many drivers died, either because the cars couldn't withstand crashes or needlessly because of poor rescue and medical facilities, many grumble that the standard template for the modern racetrack is too bland, that the never ending drive for safety is removing some of the thrill of the race. The venues of the past have a romanticism and nostalgic appeal that many find lacking in tracks today.

The fourteen miles of the Nurburgring Nordschleife, built as a purpose built racing track in the 1920s, are symbolic of the increased interest in historic race tracks. After big time racing finally left the track in the 1980s the owners decided to promote the track's open days - when the track was open to the public for a charge to drive it. Twenty years later thousands of visitors from around Europe were flocking there each year for the chance to drive flat out without needing to observe speed limits. Many other race tracks around the world have followed suit with the idea of the 'Track Day'. The Nurburgring has gone from being a race track to a "Touristenfahrten" - tourist road, as well as the world's most prestigious road car test track. Ironically enough one of the uses it was originally built for in the 1920s. Several major road car companies now have test bases there, quite a turn around for a place that was once shunned by Formula One and the World Sportscar Championship. Into the 2000s racing series have increasing struggled to attract the attention of car manufacturers and those that do take part mostly do so for marketing reasons. The Le Mans 24 Hours still maintains a high profile, arguably higher than F1, for the car makers, and much of that is probably down to the eight miles of high speed road racing circuit, so unlike anything that remains in Formula One.

Road races do survive today but they are mostly the preserve of the more amateur end of the racing spectrum. The Isle of Man TT remains the most obvious example of the 'Weekend Warriors' but there are others. The FIA European Hillclimb championship, once a high enough profile series that it still attracted F1 drivers up to the 1960s. Nowadays it is still going, supported by enthusiastic semi-pro and amateur drivers, who bring their rally cars and old Formula cars and drive up mountain roads at often insane-seeming speeds. The openness of the rule book is part of the appeal - the so called "Run what ya brung" series , as it is colloquially known in America. While spectacular, it is still dangerous. Lionel Regal - a top driver in the series, who's on-board videos are all over the internet, died when he lost control of his race car and crashed into trees at the Saint Ursanne hillclimb in 2010. In America the historic Pikes Peak hillclimb, up twelve miles to the 14,000 feet summit of one of America's highest peaks, still runs every year. As does the 'Silver State Classic' - a open road time trial race along Nevada's empty desert roads that is free to anyone to enter as long as they complete a safety check and attend a driving school run by the organisers.

Many of the places that once hosted racing have come to have revival events in recent years. In England the Goodwood festival and revival events have provided the model, where drivers bring their historic cars for the public to see. The concept has inspired an event at Reims, based naturally at the old pit buildings. Solitude in Munich too has a historic event where the roads are closed for the racers. The Targa Florio rally takes in many sections of the forty four mile circuit, the country roads mostly unchanged since the days when Championship Ferraris and Porsches raced around them. The Mille Miglia rally takes in the route of the races, attracting celebrities, and many of the world's most valuable collector cars for the drive around Italy. They still pass the memorial to Alfonso de Portago's crash, on the side of a ruler straight road among fields. In Australia the Longford pub and hotel attracts enthuisasts to a historic car meeting. The Loebethal Grand Carnival was created as a historic car parade, and it's first gathering included many of the survivors of the original races there. Motorbikers, too have their moments of nostalgia. The old home of the Finnish Grand Prix, in the quiet town of Imatra, has hosted demo runs attended by former bike racing greats riding around the virtually unchanged rectangular course, a course that fell out of fashion in the 1980s. Even Le Mans is finding that the main event is being challenged by the supporting historic races, as many spectators wish to see the famous cars and drivers of the past just as much as they want to see the current cars. The road to the White House, where the terrible disaster of 1955 took place, is still there, but hidden behind the grandstands, VIP tents and car parks.

Even in this world of information, and with all the revivals, photos and videos, there are still some secrets seemingly lost to history, remembered by only a few. Perhaps the biggest of these is the 'Deuschlandring', the forgotten cousin of the Nurburgring. In the 1930s the Nazi controlled government decided to build a successor to the Nurburgring. It would be slightly shorter, but much faster, as befitting the fabulous Mercedes Benz and Auto Union 'Silver Arrows' of the era. As with much else that the Reich promised, the Deutschlandring was supposed to be the grandest race track in the world, but the war that Hitler wrought would be the end of it. The ten kilometres of would-be race track were built in the mid-30s, often by forced labour by prisoners, and finished and christened in a  ceremony in 1939. Months later the war began, the racing stopped and the never used race track was forgotten about, merged into the public road network. They are still there, a curiously wide and flowing circuit of public roads in the countryside south of the city of Dresden. Some great road races left behind ghosts, all left behind legends, but some never hear the sound of engines at all.


Sunday, 18 January 2015

Famous Flyers - Zeppelin


- The Zeppelins

In the spring of 1838 an enormous iron framed ship set out from Bristol, heading to New York. The 'Great Western' was designed by the great engineer Brunel, also responsible for the Great Western Railway, the Clifton suspension bridge, Paddington railway station, and many other Victorian engineering marvels. As it turned out, the Great Western's first voyage was delayed by a fire breaking out in the engine room. Another ship, the Sirius, left Cork in Ireland ahead of the Western and headed to New York. By the time the Western was ready to set sail, most of the passengers had cancelled their bookings, with only a handful willing to take the journey. Sirius arrived first in New York, but it was a one off trip for the ship, it returned to sailing between Ireland and Scotland. The Great Western made it to New York the day after the Sirius, and in the following decade made over forty crossings of the ocean, the first steamship to regularly cross the Atlantic with paying customers. She was followed by many more Atlantic steamships over the next century. The steamer was the only way to cross between the old world and the new and the advent of aeroplanes that could cross oceans did not change this. Ships could carry thousands of passengers, planes could carry a few tens of passengers. The heroic flight of Charles Lindbergh had raised the profile of air travel enormously, but the ordinary middle class traveller was only ever likely to fly on a plane when travelling between cities or taking short hops across short stretches of sea, such as the English channel. Even by the 1930s, with over thirty years of improvements to plane designs, including a huge burst of progress during the Great War, and the heroic exploits of the Orteig Prize competitors, the most luxurious of Pan American Airlines seaplanes could carry around thirty passengers. And with such limited numbers the price of a journey on a trans-oceanic sea plane flight was huge; a five figure sum in today's money.

Seaplanes (or flying boats) came to the fore in the 1930s because they addressed two practical problems with air travel; the need to refuel on long oceanic crossings, and the lack of places to land in large cities. These were problems that had also been solved by a completely different form of airborne craft; the airship. Airships had been around for just as long as powered aeroplanes and the two forms of machine shared a great deal in common. Both used a light but strong framework - planes to form a fuselage and wings, airships to contain bags filled with lighter-than-air gases. Both used powerful piston engines to drive propellers, except that airships could steer with their engines. Planes were certainly faster and more agile than airships, but airships promised very large cargo and passenger carrying capacity. Where planes could carry a few dozen people it looked as though a giant airship might be a competitor to the huge ocean going liners. In the 1910s and 1920s it looked as though the future of travel would be shared between small planes buzzing around like insects between airfields, and giant whale-like airships carrying people across oceans.

The name that became synonymous with airships was that of a German count of the late 19th century. Ferdinand von Zeppelin spent most of his life in the German army, and was inspired by seeing hot air balloons being used for reconnaissance during the American Civil War. Airships had been a concept on many Victorian drawing boards throughout the 19th century, but like their winged counterparts were being held back from being fully developed by the limitations of materials and engines. In he 1850s a Frenchman called Henri Giffard had built a working airship, the "Dirigible" (or "directable"); it was over forty metres long, filled with hydrogen gas and powered by a steam engine. Much like George Cayley's glider of the same decade it was a beautiful piece of engineering, but of limited practical use. The Giffard dirigible could only travel at walking pace, could not fly into the wind, and was also filled with extremely volatile hydrogen gas that presented a huge danger in the close proximity of the hot steam engine.

Zeppelin took the concept of the airship seriously and left the army in his middle age to set up a company to make a practical design. It would take many years for Zeppelin to achieve something that worked. He hired an engineer called Theodor Kober to help with the design, and gained a patent on a design by Kober for a rigid airship, made from aluminium , covered in fabric, with multiple gondolas suspended underneath for carrying passengers or cargo. It would take Zeppelin a decade to muster the support, both financial and political, to build a full working rigid airship based on the design. His break came when the German Engineers Association decided to support his plan and attracted other engineers, including experts on metals, and industrial gas suppliers, both essential components of his idea.

By the turn of the 20th century the Zeppelin company had built it's first prototype rigid airship, the LZ1. The LZ1 was built in a factory in the town of Friedrichshafen, on the shores of Lake Constance in Bavaria. This factory would come to produce the famous Zeppelin ships of the 1930s, but only after a very shaky start for the Zeppelin company. The LZ1 was a very impressive sight floating over the shores of the lake, but it turned out to be a total fiasco. On it's first flight it's structure was found to be severely insufficient to cope with the stresses of the wind turbulence, some of it's controls jammed, and one of it's engines failed. After repairs it was flown two more times but only on short journeys. Investors were not convinced and Zeppelin had to sell off his company and dismantle the LZ1 for scrap. Six years later the indomitable Count von Zeppelin was back with a second airship, LZ2, the first product of a new Zeppelin company and a new designer. Kober had given way to a long time Zeppelin engineer called Ludwig Durr. Durr would design all the subsequent rigid airships of the company.

The structural problems with the LZ1 were caused by the rectangular girders in the frame buckling under stress; Durr changed the design to a triangular girder frame that was much stronger. He also discarded the idea of using moving weight ballast to control the ship's pitch and adopted aeroplane-like ailerons. LZ2 crashed on it's second flight after it's engines failed, but it's design had proven much more airworthy than the first Zeppelin airship. A replacement, LZ3, was quickly built and proved to be a success; it had more stability than LZ2 and successfully flew for hours at a time. The German government was won round to the airship and awarded money to the company, no doubt swayed by German royalty taking journeys on the LZ3. During the winter of 1906 a new problem arose; while the airship was more airworthy, it's floating hangar on Lake Constance wasn't, and the ship was damaged when a storm blew the hangar into it. Ironically yet another setback would seal the future successes of the company. The next Zeppelin, LZ4, was destroyed by a fire; the burnt out shell of it's frame laying crumpled on the ground looks, to modern eyes eerily like the wreck of the Hindenburg twenty years later. LZ4 had flown over many cities and been seen by thousands of people in person. As a consequence huge donations were made from around Germany to the Zeppelin company to continue their work.

Although the German army had bought the LZ3 for military evaluation, the airship was also being considered for civilian use. In 1909 the first ever passenger airline was founded by the Zeppelin company under the rather unromantic name DELAG. The star-crossed history of the airship continued - DELAG's first Zeppelin was destroyed by a hangar fire, the second one crashed after being caught in a thunderstorm, the third was broken in two after being caught by gusts outside it's hangar, the forth also burnt down in a hangar fire. Amazingly none of these incidents resulted in any deaths, or any obvious lack of interest from the public. But the passenger flights were halted by the outbreak of war in 1914. They were replaced by something much less wholesome; bombing raids. Initially these were directed against cites in Belgium but late in 1914 the German navy drew up plans for dropping bombs on English cities, partly as a way of destroying military targets but also as a way to terrorize and demoralise the British public.

The German commanders hoped that airships would become a whole new weapon of war; giant bomb carriers that could fly up to any enemy city and rain down quantities of bombs that aeroplanes could never possibly carry. Nearly one hundred Zeppelin airships were built during the four years of the Great war, and they took part in over fifty raids on British soil. The raids would not be a success from a tactical point of view; by 1916 British air defenses had developed enough to be able to shoot airships down, although for all the advance in technology, quite often it would be the British weather that would thwart the airship menaces. The first attempted raid on London in 1915 had to be called off because of strong headwinds. Zeppelin's could carry a lot of ordnance but were terribly inaccurate. One raid intended for London was instead carried out on the docks of Hull - over two hundred miles away. The airships had a much larger impact from a psychological point of view; this was the first time since Medieval times that the English civilian populations had to worry about a war coming to their doorsteps. Bombing raids on England in 1915 caused great alarm - almost two hundred lives were lost, factories, warehouses, railway stations, and even theatres were destroyed or heavily damaged. Gun emplacements were put up in cities but proved frighteningly impotent against the giant Zeppelins far above them.  Only when explosive incendiary bullets were improved could aeroplanes begin to combat the airships, and when they did the great fear they generated began to be eroded. When the first German airship was downed over London much of the city could see what had happened.

The war had proven that the airship would not be of much practical use as a bomber and the Zeppelin company returned to building airships for passenger use. These would not immediately be available for use by German passengers however. War reparations meant the first two post-war Zeppelin's were confiscated and donated to Italy and France. A saviour would come in the unlikely form of United States Navy. Keen to trial airships as giant floating aircraft carriers, Zeppelin LZ126 was flown across the Atlantic in 1924 to the Us Navy Station at Lakehurst, New Jersey, commanded by Hugo Eckener, the head of the Zeppelin company - the Count himself had died aged seventy eight in 1917. The LZ126 became the USS Los Angeles and aside from the name the Americans made one major change to the ship - they replaced the highly flammable hydrogen gas used in the ship with far more stable helium gas. The Germans had not used helium in their airships for the simple reason that it was far more expensive, and the vast majority of the world's helium was manufactured in America and Germany would have had to import it.

The Germans would not have their own way when it came to manufacturing airships either. The successful trials of the Los Angeles persuaded the US Navy to build another ship on home soil, in a new hangar at the Lakehurst station. The two hundred metre long 'Shenandoah' had a brief life of two years before being lost in a dramatic crash in a storm in 1925 - while flying over the state of Ohio strong updrafts pushed the ship many hundred of metres above it's design limit and it was torn apart by turbulence. Many of the survivors hung on to the sinking parts of the wreck as it came crashing down to the ground. The setback didn't dissuade the Navy, and in the 1930s two more enormous airships would be built in America. The 'Akron' and the 'Macon' were designed to patrol the coast and carry a fleet of small fighter planes to intercept any enemy threats. Like the Shenandoah the previous decade, both the Akron and Macon lasted two years before crashing in storms. The Akron over the Atlantic off New England, the Macon ditched and sank in the Pacific Ocean off California. Seventy two men died in the crash of the Akron - for all that the Hindenburg's infamous end would come to symbolise the end of the airship era, the Akron crash resulted in a far higher loss of life, and took with it the great champion of airships in the Us Navy, Rear Admiral William Moffett. The loss of the Macon in 1935 was the last straw for the Navy, who abandoned any further rigid airship projects. The British too had experimented with rigid airships; in the 1920s the British Government looked to airships to fly across Europe and Asia to India and onwards to Australia. Two prototypes were built - the R100 and R101. Both ships were commissioned in 1924, and expected to fly by 1926, but delays pushed their maiden flights to 1929. R100 was first to fly, it crossed the Atlantic in 1930 to Canada. Two months later the R101 set out for India, but it only made it as far as Northern France before smashing into a French hillside and burning down to a smouldering hulk. R100 had been designed by Barnes Wallis, the future designer of the famed 'bouncing' bomb of the Dambusters raids of WW2, and was built to a very conventional design. R101 had more innovations in it's design but was overweight and had to be lengthened to create more lift. After it's fiery crash the inquiry concluded that it's fabric covering had been torn on the nose and enough gas had been lost to cause the ship to sink into the ground. Ultimately the inquiry scathingly concluded that the R101 had been rushed into service and was not ready to embark on such a long flight. After a year of waiting the R100 was broken up for scrap and Britain abandoned any more interests in airships.

This left the Germans, and the Zeppelin company, still the only country to use successfully use airships for passenger use. Ironically this peaceful purpose would continue after Germany fell under the control of the Nazis in the 1930s. Ever keen to promote German industry, and to take the credit for any of it's successes, the Nazis poured money into manufacturing and engineering. The Zeppelin company received eleven million Reichsmarks from the government and used the money to create two giant new airships and a new airline, the DZR, a replacement for the original DELAG that had continued after the Great War. Zeppelin chairman Hugo Eckener was not a favourite of the Nazis' - he had considered running against Hitler in the 1932 presidential election. Herman Goering, the newly installed Aviation Minister, created the DZR in order to exert more control over the Zeppelin company, Hugo Eckener, and over one of Germany's most prized machines; the LZ127 'Graf Zeppelin'.

After the completion and delivery of the LZ126/USS Los Angeles in 1926, Zeppelin had started work on a ship that was to remain in German hands. Overwhelmingly paid for by public donation the LZ127 was similar to the LZ126 but intended for passenger travel rather than military use. To this purpose a large gondola was designed incorporating ten cabins, a dining room and a kitchen, much like a passenger train car. Twenty passengers could squeeze aboard the ship, in conditions that made up in quality what they lacked in space. In the 1923 crash of the US Navy Shenandoah the entire gondola had detached from the main structure of the airship and plummeted to the ground, killing all the crew inside, so all future airships had built the gondola solidly into the structure - it reduced all round visibility but safeguarded against a catastrophic loss of the controls. The ship was completed in 1928 and for the next four years it was tested and used for promotional flights. In contrast to the way the British had rushed the R101 straight into an epic journey, the Graf was tested on several short flights in Germany before crossing the Atlantic to New York. The Graf lived a charmed life and seemed to avoid all the pitfalls that beset so many of it's fellow great airships. It flew in commercial use from 1932 to 1937 without incident, and visited all corners of the globe, including the Russian arctic. Suddenly, despite the setbacks to the US Navy airships it looked as though airships might finally become a viable form of oceanic travel. A new skyscraper in New York - the Empire State Building - was even built with a mooring mast on it's spire in anticipation that airships, and their passengers, would soon be frequent visitors. A trip across the ocean on the great Zeppelin wasn't a cheap ticket, though. Just like the seaplanes that were soon to follow, a passenger would have to fork out the equivalent of about ten thousand dollars in today's money. Most people would have to enjoy looking up at the Graf Zeppelin rather than riding aboard it, and the airline would in fact make most of it's money from transporting air mail. The great ocean liners were still the only realistic way most people had of crossing the oceans.

In 1929 the Graf Zeppelin, in it's second year, had set out on the greatest airship journey yet. With the support of the publishing baron William Randolph Hearst, it departed Lakehurst heading... for Lakehurst. The ship circumnavigated the world over the course of a month from August 7th to August the 29th, heading from Lakehurst, to the Zeppelin home base at Freidrichschafen on Lake Constance, then to Berlin, across the length of Russia and south to Tokyo, then across the Pacific - the first ever non-stop crossing - to San Francisco, and finally over the United States back to New Jersey, a grand total of 20,651 miles in a total elapsed time of 21 days, 5 hours and 31 minutes, the actual flying time was shorter than that. In fact so well had the Zeppelin coped with the journey that the trip would then continue back across the Atlantic a second time to Friedrichshafen. When they came to power the Nazi's saw the adulation that the Graf Zeppelin received wherever it went and realised what a powerful propaganda tool it represented. Although it had been funded by the German public the Nazi's stamped their Swastika on the tail fins and in 1936 Josef Goebbels sent it, and a brand new sister ship, off on a four day tour of Germany to distribute leaflets and broadcast speeches over loadspeakers.

Despite it's many great flights across the world's oceans the Graf Zeppelin had proven more suited for flying to South America than to where the Nazis really wanted it to go - the United States. Flying from east to west the Graf struggled against the prevailing North Atlantic winds and didn't carry enough passengers to really attract the wealthy away from the ocean liners. In 1936, the Zeppelin company provided them with the answer to their problem; the LZ-129. The fire that consumed the hydrogen-filled R101 after it crashed influenced the Zeppelin company to scrap their hydrogen inflated LZ-128 design before it left the drawing board, and start again with a airship that could be inflated with helium. Hopeful that the passage of time from the Great War, and the exploits of the Graf Zeppelin would persuade the cautious Americans to sell them helium freely. The LZ-129 was far larger than the LZ-127; over seven million cubic feet of gas bags, as opposed to three million seven thousand cubic feet. Zeppelin had partnered with the Goodyear rubber company in America to assist building the Navy airships Akron and Macon, and incorporated similar design features in those ships into their new German ship. But where the Americans had wanted to build aircraft hangars into the bottom of their airships the Germans instead built passenger decks. Gone were the cabins crammed into a gondola, the Lz-129 would look like an ocean liner, with two decks for about seventy passengers to occupy - a match for  number that matched the new generation of long-range flying boats that were on the drawing board, except that the airship passenger would have far more space to move about in. Airships seemed to finally be coming of age, the only immediate setback coming when the Americans still refused to sell helium, so the newly named LZ-129 'Hindenburg' would have use hydrogen after all.

Hindenburg took to the skies for the first time on March 4th 1936, at Freidrichshafen. It's name was not yet painted on the nose, but the Nazi swastika adorned the tail; Goebbels had given two million government marks to ensure the airship's swift completion. The Nazi's had also moved Hugo Eckener into the largely symbolic position of company chairman, leaving the day to day operations in the hands of Eckener's deputy, the more controllable, in their eyes, Ernst Lehman. Lehman's tenure in charge did not begin well; under his command the Hindenburg damaged it's tail on a propaganda flight. Shortly afterwards the new airship put in a more successful appearance over the Berlin Olympic games. Lehman's willingness to prioritise Nazi propaganda flights above testing led to more trouble on the first Atlantic journey to the South America when several of the ship's diesel engines failed, and the ship came close to having to be ditched in the Sahara desert on it's return leg. Hindenburg eventually made thirty four Atlantic crossings in 1936. The airship's fantastic journey time to America of two and a half days was a sensation, nearly half the time it took the fastest of the ocean liners to manage the journey. The future looked very bright for the transatlantic German airship, already another ship, the LZ-130, was under construction ready to join the Hindenburg.

In March 1937 the Hindenburg flew to Rio de Janeiro for the first transatlantic journey of the new season. Between them the Hindenburg and Graf Zeppelin were scheduled to fly over thirty long-distance journeys in 1937. On May 3rd the Hindenburg set off for Lakehurst on the first flight of the year to North America. In command was Commander Max Pruss, with thirty six passengers and forty crew, with another twenty one crew members being trained in anticipation of them forming the crew of the LZ-130. Also aboard was the head of the company Ernst Lehmann. Three days later the Hindenburg arrived over the shores of North America, and spent the afternoon of the 6th of March flying down the eastern seaboard past Boston and overlying Manhattan a few hours later. The ship arrived to land at Lakehurst around four PM, but Captain Pruss decided to turn around and wait off the shore for a thunderstorm near the landing site to clear. Around seven PM the Hindenburg approached Lakehurst again, circling around the field to head into the easterly winds. All of the great rigid airships required a delicate balancing act to land safely; ballast water would be dropped, and gas vented from the gasbags to lower the ship slowly. At twenty past seven the ship was floating around three hundred feet from the ground and the landing lines were dropped to the ground crew below. A few minutes later witnesses spotted a small fire glowing at the base the ship's top rear tail fin. Within seconds the flame spread through the rear hydrogen bags and set the entire tail on fire. The tail immediately began to fall, while the nose stayed bouyant and momentarily level. The fire spread forward rapidly as a gigantic ball of flame exploded into the sky. As the ship fell the fire burst through the front of the nose and the ship sank rapidly into the ground, consuming the passenger decks and control gondola in moments.

To watching onlookers it seemed as though nobody could possibly have survived the astonishingly swift and total devastation, but amazingly over half the occupants made it out of the crashing Hindenburg. The origin of the fire in the tail helped survivors chances; the ship had sank close to the ground before the fire reached the passenger decks. Plus the fact that many passengers were standing at the windows watching the landing and could scramble out to safety as the ship crashed down. Many of those who perished were crew stationed deep inside the bowels of the ship with no quick way to exit. Amongst the victims was Ernst Lehman who died in hospital the day after the disaster. The crash spelled the beginning of the end for the era of the airship. The newsreel films of the disaster were shown all over the world, and killed off any further public interest in Zeppelins. No more passenger flights were ever attempted. The Graf Zeppelin was withdrawn from service, the LZ-130, or 'Graf Zeppelin II', never entered it. Within a year of the beginning of the Second World War both had been scrapped, and the Zeppelin company would vanish. The name would be resurrected in 1990s Germany for a company building smaller ships. The USS Los Angeles had been flown intermittently by the US Navy until 1939 but it too was scrapped in 1940. Today the only remaining evidence of the era of giant rigid airships are their former hangars, now fulfilling other uses; the Lakehurst Hangar, the Goodyear Airdock in Akron Ohio, the Zeppelin hangar in Rio de Janeiro, the R100 and R101 hangar at Cardington England, and the Macon hangar at Moffett Field California, later to become the heart NASA's Ames research facility.

Saturday, 13 December 2014

Famous Flyers, Cayley's Glider, The Wright Brothers, and The Spirit of St Louis


Part one of a small history of famous flying machines and their creators.


-Cayley's Glider

When we think of attempts to create flying machines before the great breakthroughs of the 20th century we tend to imagine the kind of contraptions seen in many comedic silent news films. These daft devices nearly always appear to be mimicking the flapping of birds wings in a futile attempt to get airborne. To our more enlightened eyes such machines seem comically misguided and a conformation of the view that whatever great things the people of past centuries thought or created they certainly had not the slightest idea how to create a working plane. In fact while the plane is undoubtedly an invention of our modern times it is grossly unfair to overlook that that invention owes almost everything to the work of others in previous centuries, and that while the inventors of the 18th and 19th century didn't create a plane it wasn't for the wont of trying. The most well known of ancient flying machines are the ones penned by Leonardo da Vinci in his notebooks, (it is not known if he ever got as far a trying to build his drawing in real life), and it is because of his influence that the popular myth has taken hold that the only way that pre-20th century people thought to fly was by copying bird's flapping wings. Leonardo made thousands of drawings of the anatomy of humans and animals and naturally his curiosity led him the question of birds, bats and insects and how they were able to fly. Leonardo's 'ornithopter' drawings show his attempts to figure out how a human might be fitted into a winged-contraption that the operator could then flap the wings with the aid of a hand crank mechanism. Leonardo's sketches are beautiful and fascinating, but had very little to do with the modern day aeroplane. His drawings of a helicopter-like device are more relevant and prescient than his flights of fancy of human-powered bird wings. In his sketches of a spiral-shaped flying machine Leonardo seems to be interpreting the air as something substantial just like water and that he might create flight much as a person can stay afloat by treading water; the machine might stay up by pushing enough air down. As Isaac Newton would explain in a later century; every action has an opposite reaction, Leonardo was on the right track but apparently never quite made a breakthrough

It would be in the early 19th century when the principles of what would later be called aerodynamics would be explored much more fully by a man who remains a surprisingly obscure figure considering the amazing flying machines he created; Sir George Cayley. Cayley was a Yorkshire baronet, an aristocrat with the time and money to invest in engineering projects. As well as experiments with engines, boats, prosthetic limbs and armaments, Cayley was fascinated with the possibility of creating flying machines. He built a model glider as early as 1804, and a few years later was authoring papers that discussed the fundamental principles of flight including the basic forces at work - lift, drag, gravity and thrust. It was Cayley who first truly understood the airfoil and how wings generate uplift without any bird-like flapping action. Cayley's work had led to him being recognised today as the pioneer aeronautical engineer. In 1853 Cayley put all that he had learnt through half a century of curious experimentation into a full size glider that was flown across a Yorkshire moor called Brompton Dale - possibly by Cayley's footman although the exact pilot is unclear - the first recorded controlled flight of any significant distance with a human pilot aboard.

Cayley's glider resembles a canoe suspended below a leaf-shaped wing and while being undoubtedly primitive it demonstrates it's creators fundamental understanding of the principles of flight and the several exceptional insights that allowed Cayley's glider to work successfully. The structure is light and the wing is large enough to generate sufficient lift; to keep the shape rigid without adding too much weight the craft is intricately braced with wires, some in tension and others in compression, much as in a modern hang glider. The pilot sits well forward in the gondola to counterbalance the weight of the tailplane - the tail plane is separate from the main wing and provides essential stability. As well as the tail there is a rudder to provide steering, and the pilot holds the handle of the rudder is much the same way as a gondolier holds his steering punt. The rudder mechanism is also balanced about it's centre to keep the craft's weight even. Later planes of course would surpass Cayley by giving the pilot direct control of the tail itself. Lastly the glider has landing wheels, again presciently arranged in a triangular shape with two at the front and one trailing wheel. modern replica flights have shown just how successful Cayley's craft was, and how the possibly apocryphal story of his footman telling the baronet wide eyed after his flight "I was hired to drive not to fly!" may have come about.

The Victorians were aware of how to make something fly but had an intractable problem; the steam engine didn't generate enough power to lift it's own (considerable) weight off the ground. The huge weight of steam engines had been the reason that railways developed as the first form of mass transit. Smooth iron (later steel) rails supported and guided heavy engines with their huge boilers. steam powered road vehicles were tried even before the invention of railways but were almost always far too cumbersome and temperamental to control to be of much practical use. The Victorians, despite the best efforts of inventive geniuses like Cayley would remain mostly land bound. it would take the discovery of oil, the distillation of petroleum fuel, and the coming of the internal combustion engine to get humans airborne.


-Wright Flyer

The 19th century, and the Victorian-era, only just missed out being able to claim the credit for inventing the aeroplane. A mere three years after the turn of the century a small craft made of wood and canvas made a controlled, powered flight across some sand dunes in North Carolina USA. At the helm was a bicycle maker from Ohio called Orville Wright. Watching his flight was his brother, and the co-creator of the machine, Wilbur. The flight lasted 59 seconds and covered 35 metres - less, as trivia fans love to recall - than the wingspan of the Boeing 747 jumbo jet that would fly a mere 66 years later. Like many pioneers who are heralded as the 'inventors' of something - Alexander Bell for the telephone, Philo Farnsworth for the television, Henry Ford for the mass produced car - the Wright brothers are frequently dismissed as being the recipients of an unfair amount of attention at the expense of other, earlier inventors. Almost as equally other names are put forward as the 'real' inventor of the aeroplane, with passionate cases argued that powered flights were made many years before the Wrights by other overlooked pilots.

Indeed some inventors did come tantalizingly close to powered flight many years before the Wrights. In 1874 Felix du Temple, a French navy officer, managed a brief "hop" in a steam-powered plane, but never achieved more. The ingenious and compact steam engine that he used for power did become a successful naval engine however. Ten years later another navy officer - this time a Russian called Alexander Mozhaysky - performed a similar feat in a similar steam-powered flyer. In 1890 a French engineer called Clement Ader flew a steam-powered flyer he called the Eole approximately fifty metres. However it was not a controlled flight; the Eole evidently could not be steered, and in all event flew less than a metre off the ground. Subsequent modern day experiments have shown that each of these pioneers could have developed their planes further into something more successful, and that the main sticking point for each was the power -or rather the lack of power - their steam engines could develop. Unlike the Wrights, du Temple and Mozhaysky launched their crafts down ramps, much like a modern day stunt motorbike rider might while jumping over an obstacle, which probably contributed somewhat to the how their craft became airborne.

Modern experiments have also shown that another individual designed a machine that could have flown under it's own power and beaten the Wrights to the claim as inventor of the aeroplane. An English university lecturer called Percy Pilcher built many manned gliders late in the 1890s and drew up plans for what would later be known as a tri-plane. After corresponding with another glider enthusiast, an American railway engineer called Octave Chanute, Both men came up with a simple way of creating more lift from wings; stack multiple wings on top of each other, like the shelves of a bookcase. Alas, Pilcher died in a crash of one of his gliders in 1899 and his plans disappeared into obscurity. A replica of Pilcher's planned plane was built in 2003 by students of Cranfield university and was flown, under control, for over half a minute longer than the Wrights first flight. Another glider pilot, who had also experimented with biplane designs, a German called Otto Lillenthal had also perished three years earlier in a crash, removing another potential usurper of the Wright's achievement. Chanute's 'biplane' gliders influenced the Wrights greatly, and their flyer's wings were essentially copied from Chanute's designs although Chanute, nearing his 70th birthday and already retired and rich, was evidently happy to allow his designs to influence others.

Many commentators have observed that the Wright brothers genius lay not just in creating their flyer but in remembering to pack a camera and to take some photographs of the machine in flight - something the other contenders all evidently failed to do. Most notably a German-born American emigre called Gustave Whitehead. Debate has raged hotly ever since Whitehead's claimed flights in his "No. 21" plane in 1901. Contemporary local news reports claimed that Whitehead flew over 800 metres in Bridgeport Connecticut in the "No 21" but no photographs of the feat were published or have ever been conclusively found. Whitehead, also unlike the Wrights, did not keep a journal or log book to document his claims. Whether or not the Whitehead plane did or did not fly, what is not in doubt is that Whitehead, like du Temple and Mozhaysky before him, did not capitalise on his ideas in the subsequent years and lived the rest of his in relative obscurity.

While the Wright's fame owes something to fortune and timing, they were still brilliant engineers who worked tirelessly and meticulously on their ideas and whose successful designs and flights were the end result of much exhaustive testing and refining of their designs. Like so many great inventors they came from humble backgrounds, worked out of small workshops, and were obsessively dedicated to their pursuits. Neither married or fathered children and they lived together in the same house, devoting all their time to their bicycle manufacturing business and their flying machines. The bicycle business provided them with a keen understanding of precise engineering and of the importance of the fine tuning designs for optimum balance and control - a philosophy that would be reapplied to planes; the Wrights would work for many years on creating their control systems and working on the weight distribution of their gliders before adding an engine. The Wrights did something that was far ahead of it's time; they built a wind tunnel to test models in. The wind tunnel allowed many ideas to be tried out quickly and saved money and time on costly and potentially very dangerous test flights. Both brothers were also both conspicuously free of egos - neither ever tried to claim precedence over the other, they took turns flying their gliders, they would even quarrel furiously with each other before agreeing a truce and that both of them had a valid opinion! Their lack of showiness had a practical benefit too; another competitor in the race to create a plane, the wealthy Samuel Pierpoint Langley, would test his contraptions in the middle of Washington DC in the full view of press, politicians and his sponsors. The Wrights avoided reporters, politics and money-men, something that initially caused a slow recognition of their historic flight, but their meticulous nature in logging and photographing their flights meant that nobody could deny their achievements once they had been achieved.

To modern eyes the Wright flyer is rather odd in arrangement. It has all the familiar pieces; wings, propellers, stabilisers, tail fins, cockpit, flying controls, but laid out back-to-front. The horizontal stabilizers are not on the tail with the vertical fins but in front of the pilot. The propellers are behind the wing not in front and push the plane along rather than pull it. The pilot lies prostrate on their belly on top of the wing and controls the flyer by swinging side-to-side in a cradle. The wings do not have ailerons like a modern plane - these would first appear a decade later - instead the flyer uses 'wing warping'; the wing tips are pulled by the control wires. This difference aside the pilot has the almost the same amount of control as on all subsequent conventional planes. The warping wings controlled the plane's roll (side to side), the front canard wings the pitch (up and down), and the rudder the plane's yaw (left and right) mastering the mechanics involved in providing reliable control over the plane's three axis of movement was the Wright's greatest breakthrough and legacy. In fact, much of the glory for the Wright's breakthroughs should really be reserved for the brother's second and third Flyers. The first Flyer, the one that appears in every history book, and is copied in countless full size replicas, never flew after it's first brief voyages. The brothers second Flyer, built in 1904, flew over one hundred times, flying for up to five minutes and performing the first controlled flying circles. It was dismantled at the end of the year and it's parts salvaged to make a third Flyer - that would fly up to twenty five miles and carry the first ever air passenger. It was also designed to make the rudder entirely separate from the wing warping system, thus giving the pilot exactly the same controls as in any standard aeroplane. Today the Wright Flyer III of 1905 sits quietly in a gallery in Dayton Ohio, part the city wide historic park preserving key Wright brothers locations around the city; their homes, their bicycle shop and office. It is a far cry from the national Air and Space Museum in Washington DC where the original Flyer is stared at by thousands of people every day.

These days the Wright brothers are two of the most famous inventors in the history of the world. But in the immediate years after their first flight their names were not widely known, and when they were mentioned it was often along with doubts about whether they really had built a flying machine or whether they were hoaxers. In the days before radio and television the publicity shy Wrights did not do much travelling to promote themselves and the only way for journalists, photographers and members of the public to see their flights was to chance upon them. As a consequence, especially in the snobbish European establishment, the achievements of the Wrights went somewhat unnoticed for several years. Only when they made public demonstrations in France in the summer of 1908 did the European press and public begin to acknowledge them. By then however they had some serious competition that threatened to overtake their advantage and move the centre of aviation development from eastern USA to Europe.

Alberto Santos Dumont was born in Brazil the heir of family rich from the coffee business, but lived in Paris most of his life. His wealth allowed him to hire private tutors to teach him the sciences and engineering, but like many adventurous young men from wealthy backgrounds Dumont was not content to live an easy life and took to being a balloon pilot, taking joyrides above Paris. He took to designing 'dirigibles' (the french term for airships) and would tour the city, often landing outside his favourite cafe. Dumont was everything the Wright's were not; he became a celebrity, made friends with royalty and the rich, and became a fashion trendsetter. For all his pretensions he was an extremely intelligent engineer and by 1905 was working on his own powered aeroplane. A year later he flew his '14-bis' plane 60 metres - the first powered flight in Europe. The 14-bis was influenced by the Wright's planes; it was a biplane with it's control surfaces in front of the pilot. but Santos introduced an important innovation that the Wright's had not adopted. The wings on Santos's plane swept up in a 'v' shape (called a dihedral angle). the upsweep gave the plane much more stability and reduced 'sideslip' when banking over, meaning the plane would have a greater tendency to fly with it's wings level. This in turn allowed Santos to experiment with more radical moving surfaces to improve maneuverability. His next plane, the Demoiselle was, in the basics, essentially the same layout as any small propeller plane that followed. It was a monoplane, with one large wing, the engine sat at the front, with the pilot behind, and a tailplane mounted out behind. Alas, after creating two revolutionary planes Santos Dumont fell ill with multiple sclerosis and never fulfilled his promise as a engineer. He returned to Brazil and lived in a house of his own design. He died in the 1930s in mysterious circumstances. Wilbur wright died from typhoid fever in 1912, Orville lived till 1948, long enough to see his invention surpass the speed of sound.


-Spirit of St Louis

In the summer of 1927 a quiet 25 year old former ail mail pilot shot from obscurity to being the by far the most famous person in the world. What Charles A. Lindbergh did to become so instantly famous was quite simple - he flew from New York to Paris. To modern eyes not a great challenge, thousands of people do the same thing every day on hundreds of different flights. Even in 1927 it was not an unprecedented feat to fly across the forbidding expanse of the Atlantic ocean. What made Lindbergh exceptional was what he did but how he did it; he flew entirely solo, in a small plane, directly from an airfield near New York to an airfield near Paris. He made no mistakes, did not get lost or run low on fuel, and in the process showed the world that the aeroplane had the potential to travel from any one place on the earth to any other without problems. Plus, from the adoring public's point of view, it helped that "Lindy" was a boyish, modest, polite, wholesome and clean-cut figure who made for a perfect role model. his talent and heroism had also made something extremely dangerous look easy.

What is often forgotten nowadays is that Lindbergh was not the only person trying to cross the ocean at the time. He was in a competition called the Orteig prize - a large cash prize offered up to anyone who could make the trip from New York to Europe. The other teams were all much larger than Lindbergh's - in fact, Lindbergh didn't really have a team, just a very small group of mechanics. Neither did he surround himself with press and publicity people and other frivolous hangers-on who were not essential to his task. And by flying entirely solo he also avoided the internal politicking and arguments that characterised his rivals efforts. For example the great favourite was the team led by Commander Richard Byrd. At the time Byrd was feted as being the first explorer to fly over the North Pole, but there were many mumbled suspicions that he had falsified his logbook and had come nowhere near to overflying the pole. This episode aside, Byrd was a great explorer, but also possessed a great ego. In his journals he barely gave credit to the efforts of his crew,and especially his Norwegian pilot Bernd Balchen. He fell out with the designer of his plane America, the Dutch engineer Antony Fokker, after a crash while testing that plane- a crash that took Byrd's team out of contention just long enough to allow Lindbergh in. Another team vying against Lindbergh was the crew of the Columbia. The plane, designed by a genius engineer called Mario Bellanca was ready well before the rival planes and had already recorded an endurance record circling above New York for 51 hours, earlier in 1927. Their pilot Clarence Chamberlin was almost the equal to Lindbergh in skills and in calm temperament. By contrast their team leader Charles Levine was an extremely unreliable operator who seemed to specialise in causing grief and upset. Levine rarely paid his team the money he said he would and loved to change to crew roster on a whim. One of his changes proved to be costly when his original co-pilot Lloyd Bertaud put in an injunction against Levine to prevent him flying. While the injunction was waiting to be lifted Lindbergh made his historic flight. The designer Bellanca also left the team shortly after. A year earlier Levine had been approached by Lindbergh the year before to sponsor Lindbergh's flight. Levine had agreed but waited until Lindbergh arrived at his offices with a cheque in hand from his backers to tell him that while he would take the money to build a plane he couldn't guarantee that Lindbergh would be the pilot. Naturally the deal immediately fell through and the young air mail pilot went off to find somebody else to build him a plane.

Lindbergh's plane was a relatively straightforward device, compared to the opposition. For a start it only had the one engine. Commander Byrd's America had three 200 horsepower radial engines, giving it three times the power but also three times the weight. The Spirit of St Louis weighed in at just under 1000kg whereas the America was over 3000kg - and that was without the weight of the occupants or fuel. The crucial importance of the planes weight to a successful long distance flight, and the dangers of designing an overweight plane had been demonstrated with the crash in 1926 at Roosevelt Field of another Orteig Prize contender, the Sikorsky S35. Even though the Sikorsky company would later become the name synonymous with the first helicopters, and though the plane was flown by the French flying ace Rene Fonck, the plane never even managed to begin it's planned flight across the Atlantic. Despite the fact that the fully loaded Sikorsky was 1800kg overweight when fuelled, Fonck had ambitiously made an attempt to takeoff. The plane never came close to flying and crashed heavily when it's landing gear collapsed. Only two of it's four occupants - Fonck and his co-pilot managed to escape before the wrecked plane exploded.

Fonck's plane had far more powerful engines than either Lindbergh or Byrd, but his rushed preparation had doomed his attempt and destroyed the first serious contended for the prize. The Americans were all using Wright Company 'Whirlwhind' engines, but these were far from guaranteed to be powerful enough for the job. A month before Lindbergh's flight two US Navy pilots, Noel Davis and Stanton Wooster, had unveiled their Orteig prize contender, a three engine plane called the Pathfinder. The Pathfinder's original engines were far more powerful than the Wright engines, but also consumed far too much fuel for a practical non-stop Atlantic crossing, so they were replaced with Wright engines. Unfortunately little about the design of the plane was changed to account for the reduced power. On a test flight shortly before their planned trans=Atlantic flight, Davis and Wooster both perished when the underpowered and overloaded plane crashed after failing to climb over a row of trees. A few weeks later came yet another challenger; this time aiming to fly in the opposite direction, from Paris to New York. This was thought to be a much harder challenge - the 'jet stream' was unknown in the 1920s but the prevailing winds were known to blow mostly from west to east. The two pilots, experienced French flyers called Charles Nungessor and Francois Coli, knew this too but reckoned they did not had time to ship their plane - the Oeseau Blanc (White Bird), to America. Their plane too was heavy, and only had enough fuel for an almost direct flight to New York, there was no margin for error. Nungessor and Coli took off from Paris early in May 1927, were briefly sighted heading out to sea of the southern tip of Ireland, and disappeared forever somewhere over the ocean. What happened to them remains a mystery.

The crashes underlined the importance of good preparation and, perhaps even more importantly, patience. Unfortunately not a virtue that was encouraged by the race for the glory and the prize on offer for the first to make the flight. Experienced designers were being rushed into creating half-baked and underpowered planes, and some of the world's best pilots were rushing to get them ready and paying the price. Curiously enough Lindbergh's preparations were a strange mixture of prudence and recklessness. When he took delivery of the plane from it's builders, the Ryan Aircraft company, he flew it single-handedly from California to Lindbergh Field, across an entire continent's worth a adverse weather, including thunderstorms and the rains that were causing the great Mississippi floods of that summer. Though somewhat foolhardy (and nerve racking for his backers) his combined delivery and test flight made him familiar with the characteristics of his plane, including it's somewhat unbalanced nature - something Lindbergh didn't mind, as he thought that his plane's slightly unpredictable tendencies would help keep him alert on the long Atlantic crossing. Aside from his individualistic testing methods, in other ways Lindbergh was very prudent and his care and attention to detail was reflected in the design of the Spirit. Ballanca's Columbia, the plane Lindbergh might have ended up piloting but for the machinations of it's owner Levine, was a very similar design to the Spirit. It too had one engine, was made of a steel frame wrapped in fabric, and had proven it's ability to fly long distances - far more so, in fact, than the Spirit. But Lindbergh's plane was purely a single seater, and was far more purposeful. Many thought Lindbergh hopelessly out of his depth deciding to fly solo for such a long distance. But Lindbergh was an experienced air mail pilot, and used to navigating on his own. He also reasoned there was no need for a radio operator; either he would make it or he wouldn't, and a radio introduced a risk of fire in the cockpit. One feature of the plane that Lindbergh specified can still raise eyebrows even today - it seem to have no forward visibility at all. To Lindbergh's highly rational mind he didn't need to see forward over the open ocean, and the nose would be a good place to put the main fuel tank. To see he would side-slip the plane and look out the door window, like a steam engine driver. Having the heavy fuel tank in the nose would make the plane safer if he did crash; he wouldn't be crushed by the tank.

On May 20th 1927 Charles Lindbergh arrived at Roosevelt Field early in the morning and readied his plane for it's planned flight. 1200 kg of fuel was pumped aboard and Lindbergh climbed into his small wicker cockpit seat - a seat made intentionally uncomfortable, again to help keep the pilot from dozing off. At ten minutes to eight in the morning the fully loaded Spirit took off, lumbering past a row of power lines at the end of the runway by barely six metres. Although the plane had flown across America in the weeks previously it had never flown across a long stretch of water and the small channel between Long Island and the main land was the first time it had done so. Lindbergh followed the coast all the way up to Newfoundland, all the while sightseers underneath kept a lookout. The new contender had so suddenly appeared in the race that not many people knew much about him, and many doubted he could really make the journey single handedly. Finally he made the turn away from land and disappeared from all sight and radio contact until he reached France. The modern day airliner captain flying from New York to Paris get a comfortable ride that takes around six hours. The jet engines power them up to over 500 mph, the pressurised cabin means they can fly at over 9 km up high above most of the world's weather, the computerised flight controls can fly the plane automatically - the pilot is really only a supervisor to the computer - and the computer can navigate itself from the departure gate at one end to the arrival gate at the other. Lindbergh had none of these things. His plane had one piston engine, could fly at up to 130 mph, and as high as 5 km. His journey would take over thirty hours, trying to claw over storm clouds, and descending frequently to try to de-ice his control surfaces. He had to navigate with pencil and notepaper, relying on the stars, and keeping track of his speed and heading, all while juggling the fuel valves leading from the several tanks to the engine, and manually steering the stick and rudder pedals. All while sitting in a small wicker chair inside a metal frame covered in doped fabric like a giant tent, strapped behind a deafening engine thundering away in front - an engine on which his life entirely depended. If it were to fail, only he would know of his fate, as there was no radio to summon any help.

When Lindbergh appeared over Paris after over a day of silence, the Parisian public reacted not so much with a jubilation but with something approaching rapture. They were pleased to see him alive and well, of course, but there was far more it than that. His arrival signalled the beginning of a new era. One French politician referred to the intrepid pilot as the first "citizen of the world", as indeed he was. He would return to New York by steamship, but his flight had clearly foreshadowed the what the future could hold. For the next few months he would fly the Spirit around America on a goodwill tour. Ironically while he would be remembered for his brave flight over the Atlantic it would his tour of America that would be more influential, as American industry woke up to the possibilities of aviation. For half a year Lindbergh and the Spirit would hop around a giant continent, a continent whose inhabitants were used to travelling around by long distance sleeper train - if they travelled at all. Lindbergh and his sleek silver bird became a mascot for the aeroplane, and he was greeted by huge crowds everywhere he landed. After a year the Spirit would be retired to the Smithsonian Museum in Washington DC. The Ryan company of San Diego that built it carried on under the name of Mahoney-Ryan for two more years, building a plane based around the Spirit's design for general aviation use, before being sold and disbanded in 1929.